One Day at a Time Season 3 Exceeds Expectations…Again!

This is a recap I wrote about one of my favorite shows. It’s final season aired on Netflix and it got cancelled, but I’m hoping with enough traction, another network will pick it up. Here is the original post.

There was a moment there last year when One Day at a Time (ODAAT) fans weren’t sure if they’d get a season 3, but thanks to some persuasive hype from fans across Twitter and the internet overall, this little show that could saw the light of day once more. You could say, it’s taking things one day at a time (okay, I’m sorry, but Elena Alvarez would be proud of that one).

Speaking of Elena Alvarez and pride, this season of ODAAT continues the energetic and quirky Latinx’s coming out and coming of age story. The show does a magnificent job of depicting her growing relationship with her Sydnificant Other and taking the next step: sex. Yes, that’s right. ODAAT tackles the quintessential teenagers and sex storyline not with a heterosexual couple, but with a queer one, and that’s just sensational.

Why is it sensational you ask? Because most shows deal with this subject from the heteronormative perspective, with parents worrying about their babies learning the logistics of intercourse, teaching them about safe sex, and just what taking that next step can mean for a 15-year-old.

In this show, Penelope Alvarez, Elena’s mom, goes through the exact same concerns and worries about her daughter, and even consults her go-to lesbian friend for advice on how to handle the situation. This is one of the many things that makes the show so special. It doesn’t shy away from the hard conversations, it makes sure to include as many perspectives as possible, and it has so much fun and heart while doing it.

One Day at a Time covers all matters, from drug use, to addiction, to rape culture, to the idea of womanhood in contemporary times. The episodes that focus on Alex’s encounters with smoking and marijuana contain the humor you’d expect from a sitcom, but also touch on a valid point of view concerning brown communities.

His mom admits that she also smoked when she was about his age, but tells the story with an experience of being the only girl in her group of friends to get arrested while the rest were let off with warnings. She doesn’t approach the matter as one of criminality, but she is realistic about the implications of Alex getting caught.

Possibly one of the most heartbreaking moments in the season is Schneider’s relapse. Since the first episode, the audience has rooted for the honorary Alvarez member, so to watch him fall after eight years of sobriety was devastating, giving fans a minor taste of what actual families of addicts must feel. Though it’s met with all the severity called for from such a situation, it is not without compassion.

The Alvarez family stands by Schneider’s side as he admits he’s fallen off the wagon. While Penelope gives him the reprimand he needed, she also gives him the love and friendship he needs to get back up. She is absolutely the perfect picture of the Latinx mom: tough, but full of love.

So much more happens throughout season 3, including a phenomenal ending where Penelope goes through a crisis of identity and comes out with the realization that she is her own happy ending, and graduates as a nurse practitioner (dale, Lupita, dale!). With each passing season, Gloria Calderón Kellett, Justina Machado, Rita Moreno, and the whole ODAAT team prove that shows about people of color can resonate across all boundaries while representing their communities.

So, someone, please, please, please make season 4 happen! If you want to get on the social media campaign to help this show out, use #SaveODAAT.

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A Totally Biased Review of Netflix’s Anne with an E

I say biased because I grew up reading the books and absolutely loved them. I may have mentioned that before in previous posts, but in case you missed it, I LOVE Anne of Green Gables. I read the first book over 15 times, and I know this, because by the time I got to read number 15, I gave up keeping track of how many times I’d read it. So I think at this point in my life it’s safe to say I’ve read the book at least 50 times, and still plan on reading it again soon, especially after watching the new show.

I managed to watch all seven episodes in three days, which doesn’t sound impressive, but with a full-time job and grad school work, seven episodes in three days is an accomplishment for me. I just liked the show that much and felt myself taken back to childhood, hearing the old familiar dialogue and looking forward to the iconic scenes. The show did not disappoint. Even though there were a few deviations from the book, it still remained true to most of the story and the spirit of the characters.

Amybeth McNulty is an exquisite Anne, I think. Her voice and eyes are so expressive when delivering her lines, which is exactly what Anne Shirley is all about. Also, in the scenes that bring to light the true horrors Anne has seen in her life (something I appreciated that’s different from the book), her performance is heart wrenching and I couldn’t help but tear up so many times for poor, dear Anne.

Geraldine James is exactly what I always pictured Marilla to be when I read the books, and she does such a magnificent job of changing from being the completely stern authority figure to newly-made mother with a soft spot for her girl. She handles her role with grace and wit, making Marilla a lovely character to be fond of. I also love the portrayal of her relationship with Rachel Lynde, and how the two women have their differences, but truly it is like they are sisters with how well they know each other and feel comfortable with their banter, especially in a society that tries to stifle women’s personalities.

The last thing I’m going to say about the show (last because otherwise I’ll just keep going on) is I adore how unashamedly feminist it is. I write this as I wear my Mockingbird “Ask Me About My Feminist Agenda” t-shirt. That’s the thing about media that takes on a feminist message. It often feels like if it overtly states it, it’s trying too hard or pushing an agenda, but watching Anne With an E, for the first time I questioned myself, “Why shouldn’t it be overt and pushed? Why should touting feminist ideals be subtle or hidden or gently suggested?” I just really appreciate how a childhood favorite grew up to resonate still with me as an adult.