There are spoilers ahead, so if you plan on reading the book, proceed with caution!
Bruja Born by Zoraida Cordova is the followup to Labyrinth Lost, all part of the Brooklyn Brujas series. This book is told from the perspective of the older sister, Lula Mortiz, after the events of what happened in the first book. She’s still coping with the trauma and struggling to find forgiveness for Alex’s actions. Meanwhile, Alex has embraced her encantrix powers, but still feels guilty , so she does everything for her sister to earn her forgiveness.
Lula is clearly undergoing the effects of PTSD, as she consistently states that she no longer feels like the same person. So much so that even the love of her life, Maks, doesn’t bring her the same joy he once did, but she’s so adamant at holding on to her old self that she clings to his presence and the relationship they once had that’s no longer there. After months of these trials and tribulations, Maks decides to call it quits, but Lula doesn’t accept that. She tries using her powers of healing to mend their broken relationship, but in that same moment Death herself comes for Lula’s school mates in a bus crash.
Lady de la Muerte comes to claim Maks in the hospital in the aftermath, but Lula won’t let go. She enlists the help of her sisters to heal Maks before Death can take him, but things go terribly wrong. He dies, and when he wakes up, he’s not himself anymore. When Lula tried to tether her life force to Maks’s, she accidentally did the same for the other victims of the bus crash, creating an army of casimuertos (almost dead). Now, the Mortiz sisters are in a race against the paranormal authorities and time to fix their mistakes, but in order to do so, Lula must learn to let go of Maks, and Lula’s sisters must let go of her.
Cordova’s characterization of Lula is adept, as readers see the Mortiz family now from her eyes. One of the things I found especially telling and heartbreaking was how Lula always had Alex glamor her scars away on her face. The scars are a remnant of what happened in Los Lagos in book one, so hiding them is a form of trying to forget the trauma she underwent. More than that though, it’s vanity.
I don’t say that to be condescending in that way sometimes teenage girls are treated for caring so much about their beauty. Lula herself recognizes that her need to cover up the scars on her face is connected to the fact that her whole life she’s been told that she’s beautiful, and she knows that beauty is power when it comes to being a woman. It’s not to say she values her other qualities less (i.e., her healing magic, her fierce loyalty, her strength), but she knows having been told her whole life how beautiful she is means the world puts value in her physical appearance, and by having a scarred face, that power has been taken away.
There’s only a few brief sentences in the beginning of the book about this power dynamic, but it’s so in line with what women in our world are constantly told. Cordova didn’t spend much time on it, but she didn’t need to. Lula said it all in those few short internal thoughts on that one page. She managed to convey a complex idea of feminism in such a small space, and that’s the mark of a great writer.
By the end of the book though, Lula has found power in her magic, her family, and her bravery and strength. In the end, she makes the ultimate sacrifice to save her family, friends, and the world, even if it means she doesn’t get to live to see it. Thankfully, Lady de la Muerte doesn’t take her life as repayment for the chaos she’s caused from her actions, but the price that’s paid isn’t cheap either. There’s clearly more to come in book three, but whatever comes their way, I’m sure the Mortiz family will overcome.
I’m also glad that Lula has found power and strength in her scars, literal and metaphorical, and that she grew into someone who is learning to live with the past, but not necessarily holding onto it as a lifeline.
Have any of you read this book yet? What are your thoughts on the Mortiz sisters and their stories? Let me know in the comments!
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